White Pine

White Pine by Mary Oliverby Mary Oliver
ISBN: 0156001209

Not too long ago, I decided to spend my Sunday morning sipping coffee and reading poetry. It turns out, this book was just the right thing for me to read.

I don’t read poetry all that often. Probably the last complete book I read was Oliver’s Dream Work. This didn’t have a “Wild Geese” or “The Journey” in it, but it did have have moments that caught me, and poems that made me stop and think and reread and feel.

Some of the lines that grabbed me were:

“To pay attention, this is our endless and proper work.” (from “Yes! No!”)

“perfectly finished, perfectly heartbroken, perfectly wild” (the last line from “In Pobiddy, Georgia”)

“I’m going to be happy, and frivolous, and useful.” (from “Fletcher Oak”)

I lingered over different poems: “Hummingbirds” and “Snails”, “Porcupine”, “The Pinewoods”, “December”. Looking at that list of titles, I realize that though I am a city person now, I did grow up in the country, and something in Oliver’s writing speaks to my early (and continued) wonder at the the animals and plants around me.

And because I can’t help but quote one more thing I loved, I’ll share this from “At the Lake”:

Inside every mind
there’s a hermit’s cave
full of light,

full of snow,
full of concentration.

One thing I think I’ve learned is that I should set aside more mornings to sip coffee and read poetry. It seems, now that I think about it, a necessary luxury.

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The Odditorium

The Odditorium by Melissa Pritchardby Melissa Pritchard
ISBN: 9781934137376

This collection of short stories certainly seemed like it would be my thing: full of strangeness, unexpected circumstances, and seemingly no concern for being slotted into one genre or timeframe.

It mostly delivered. I like smart weird, meaning the weird is not done for the sake of weird, it’s naturally the way most things aren’t. If I haven’t lost you in that last sentence, this book is probably for you. The stories are set in a military hospital in WWII, the west of Annie Oakley’s girlhood, in a Virginia hotel that has seen better days, in the New York Public Library, and in modern New Delhi, among other places. They might involve a plan for murder, or actual murder, or wax figurines of the infant Jesus, or the fact-checking. In all cases, the language is detailed and sure of itself and there is no hurry (and also no reluctance) to get to the end of the story.

Pritchard’s stories aren’t easy, aren’t obviously trendy, and have a curious staying power. I didn’t fall in love with them, but I did find myself thinking about them long after I’d put the book down.

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