Twinkling lights are infinitely better than blinking lights yfrog.com/od828ikj
2011 in photos
by JS on January 4, 2012
[Click on the grid to see a larger version, or click on these links to see larger versions of individual photos: 1. snowy (8/365), 2. snow day, again (32/365), 3. starling (62/365), 4. gray day (90/365), 5. prowling (150/365), 6. indigo and orange, 7. evening, maverick square (195/365), 8. stacked (223/365), 9. electric, 10. fall, high line (273/365), 11. windows, 12. eastie lights ]
Though at times I was not sure I would, I did complete a 365 project this year. I’m glad I did; many of these pictures are from that project.
I used my trusty Canon 40D, my android camera phone, and my new crush the Fujifilm X100 to take these pictures. Most of them were taken in my neighborhood and a few were taken on really good vacation trips. (Repeat locations from last year: Rockport and NYC.) Conspicuously absent are photos taken looking out a plane window: I spent way, way too much time traveling earlier in 2011 and those mostly aren’t the parts that made me happiest.
I’m not sure what photo projects I’ll find myself working on this year, but I believe there will be projects. I love spending time looking and photographing, and I’m too much of a geek not to turn that into a project or two.
Glowing, obsession, performance art, and a dead duck: my year in reading
by JS on December 30, 2011
Inspired by the The Millions Year in Reading series, I decided to post my favorite reads of the year. Narrowing it down to just a few, here are the books I enjoyed most in 2011 year:

Kevin Brockmeier’s The Illumination has such a compelling idea as its central premise that I kept thinking about it, long after I finished reading the book. What would happen if our injuries, our illness, our pain started to glow? How would the world be different (would it?) with that sort of shining?

Catherynne M. Valente’s Palimpsest is about obsession, discovery, longing, dreams, and sex. Valente’s imagination is extraordinary: a lesser writer would never get to you to believe in what she can see.
Kevin Wilson’s The Family Fang is one of the funniest stories about one of the most fucked up families you’ll ever read. Funny as in haha, as in something off, as in weird: the Fangs are all kinds of funny. The Fangs are performance artists who raised two children (as props? as performance?), so what does it mean, now that they are grown?

Wolf Erlbruch’s Duck, Death and the Tulip is an unusual children’s book. It’s about death (not a common topic for picture books) and it isn’t preachy, sugarcoated, or evasive. The quiet illustrations are beautiful, evoking the right balance of sadness and acceptance. This books serves as a reminder that picture books are an art form.
Changing direction
by JS on October 31, 2011
But speaking of art, we are really talking about a cultural shift, and it is art that is so important when you want to change a culture. We doctors can talk pathology and disease forever, but what really causes change is when art — the narrative, the music, and the things that add value and joy to our lives — is directed in a way that is congruent with what’s healthier for us. That’s where we need to be going.
I first read and bookmarked Our Ailing Communities five years ago. Going through some older digital files I rediscovered it. As the spirit seems aligned with the ongoing #Occupy protests, I thought I’d share it.
Thinking and typing
by JS on July 3, 2011
I’m not working on my really needs to be updated portfolio site. I’m not catching up on book reviews, even though I owe one for LibraryThing Early Reviewers and I read another novel I think was amazing (Kevin Brockmeier’s The Illumination).
I am not taking new photos, even though I don’t have my shot of the day for my 365 project yet. I am also not posting the last few days of shots that I did take with the vignette app on my android phone. Still haven’t gotten around to vacuuming the living room (which I picked up yesterday) or putting away the clean laundry.
For a little while, it looked like I was going to take a nap on the couch, but now I don’t know. There are two new voice mail messages for me to listen to. There’s another room to pick up; there are stacks of reading material. There’s the personal email I haven’t responded to yet, and the work email I am trying not to think about.
It is a Sunday afternoon, the first in two weeks I haven’t been on a plane during, and instead of doing any of those things that are a supposedly good use of my time, I’m lounging around, pecking this out on my iPad.
Tomorrow will be my last day at home until Friday evening, and I am trying not to think about that.
I keep coming back to something in Charlotte Joko Beck’s Everyday Zen, where she is talking about what practice is:
Our interest in reality is extremely low. No, we want to think. We want to worry through all of our preoccupations. We want to figure life out. And so before we know it we’ve forgotten all about this moment, and we’ve drifted off not thinking about something…
Sometimes, if I can do it, just sitting is the right thing to do.
In the moment at 105 degrees
by JS on May 24, 2011
I haven’t thrown up or passed out in two years of Bikram yoga classes.
Though there have been fewer than a dozen instances when I really thought I might pass out (so I had to sit down before I fell over) or be sick (so I held still and waited for it to pass), I stubbornly keep thinking it might happen.
Today was the first warm day in a long time, and it was ridiculously humid out. These conditions make it harder for the yoga room to be optimum humidity (I think it is 40%) and temperature (105 degrees). The room is optimized for the practice, not practitioner comfort — which means plenty of opportunities for my sneaky brain to lie to me about it what is going on.
When I find myself wondering if I am going to pass out or throw up, I know I’m probably not, because it would have happened already. What’s more likely is that I’m tired, I’m unfocused, I’m uncomfortable–in other words, I’m dwelling on how I feel.
Today I realized that my rough class was really an indicator of my progress.
Even though I have been practicing for awhile, there are still lots of things I can’t do. I can’t get my forehead to touch all the improbable things the instructors tell me to touch it to, and if you saw my attempt at triangle you’d never in a million years figure out that was the name of the posture. When I started, I could do only two basic things: stay in the room for the whole ninety minutes (harder than it sounds, when your brain is screaming at you to leave because it is so unreasonably fucking hot) and not cry (also harder than it sounds, because not being able to do any of the postures and feeling like crap is pretty demoralizing).
Now I can hold my arms over my head for the opening sequence, and I can hold them out straight for all three parts of awkward. I can touch my forehead to the floor in one posture, and to my knee in a couple of others. My camel is pretty good. Most of the time, I can manage to be still between the postures, like the instructors are always reminding us to be. Most of the time, I can follow the directions and remember that 100% right effort brings 100% benefit, even if my forehead isn’t where it’s supposed to be. When I do something new (like finally getting my forehead to knee) or do something well, it feels really good.
When I don’t do very well, it doesn’t feel so good. Like today: first set of triangle (that’s right, in Bikram class you do everything not once, but twice) I managed to keep my legs in sort of the right position, but the whole elbow in front of knee, other arm shooting up in the air make a triangle thing was just not happening. The instructor asked me if I had something going on with my hips — sometimes people don’t do what they usually do because of an illness or injury — and I said no. I said I wasn’t having my best day.
I forget exactly what he said in response, but it was something to the effect of making our best effort was important, that bringing that energy was needed, and it was good for the whole class.
He was right. I tried harder on the second set (though I still didn’t look like a triangle).
Here’s the evidence of my progress: I didn’t feel any resentment, anger, or shame when he called me out. (That wasn’t his intention, I’m sure it never is, but that doesn’t stop my sneaky brain from taking things that way.) Instead, I took it as I think it was intended: a chance for me to pause, refocus, consider what I was doing, and ask myself honestly if I was doing the best I could be doing at that moment.
I think accepting where I am in the moment — instead of reacting with shame or anger — will lead to even more progress.
If only it wasn’t so damn hot.

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